• 6+ years of professional cinematography or camera-department experience across documentary, commercial, brand, editorial, product, technical, or comparable productions.
• A strong reel and portfolio demonstrating visual storytelling, camera and lighting craft, and range across controlled and field production, with your role identified for each project.
• Deep proficiency with professional cinema camera systems such as ARRI, RED, Sony, Canon, or Blackmagic, and the ability to adapt quickly to other systems.
• Strong knowledge of lenses, filtration, exposure, monitoring, color science, LUTs, codecs, frame rates, timecode, camera movement, and production workflows.
• Demonstrated experience designing and executing lighting and grip setups in studios and on location.
• Experience working as a solo operator, with a small crew, and within larger camera and lighting departments.
• Strong documentary instincts and the ability to anticipate action, find meaningful moments, and build useful editorial coverage in uncontrolled environments.
• Experience capturing interviews, products or hardware, demonstrations, events, and observational footage.
• Strong equipment, media, metadata, and handoff discipline.
• Clear communication and the ability to work effectively with producers, editors, engineers, operators, customers, executives, and production crews.
• Sound judgment around location conditions, access, safety requirements, schedules, and the practical limits of a production plan.
• Ability and willingness to travel approximately 30% for productions and work occasional early mornings, evenings, or weekends when production schedules require it.
• Experience capturing robotics, autonomy, aviation, logistics, manufacturing, healthcare, infrastructure, or another technically complex subject is a plus.
• Experience with high-speed capture, long-lens tracking, stabilized remote cameras, gimbals, motion control, time-lapse, aerial cinematography, or FAA Part 107 operations is a plus.
• Working knowledge of DaVinci Resolve, on-set color workflows, still photography, or location audio is a plus.